Famous Nature Poems - Page 3

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41. The Eagle

In this short poem by Alfred Lord Tennyson (1809-1892), he captures the majesty of an eagle hunting from the top of a cliff. This descriptive poem is comprised of tercets (three-line stanzas).

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- By Alfred Tennyson
He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ringed with the azure world, he stands.

He clasps the crag with crooked hands;
Close to the sun in lonely lands,
Ringed with the azure world, he stands.

The wrinkled sea beneath him crawls;
He watches from his mountain walls,
And like a thunderbolt he falls.
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This poem touched my heart as no other poem has. I love nature and most poems don't interest me. When I can, I am outside in nature and when I have to go inside, I fall just like the Eagle at...

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42. Winter Morning Poem

This famous poem by Ogden Nash uses descriptive language to show the beauty of snow. Winter is unlike any other season where snow blankets everything it touches. It transforms the land into a magical experience. Ogden Nash (1902-1971) was well-known and appreciated during his lifetime.

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Top 100 84
- By Ogden Nash
Winter is the king of showmen,
Turning tree stumps into snow men
And houses into birthday cakes
And spreading sugar over lakes.

Winter is the king of showmen,
Turning tree stumps into snow men
And houses into birthday cakes
And spreading sugar over lakes.
Smooth and clean and frosty white,
The world looks good enough to bite.
That's the season to be young,
Catching snowflakes on your tongue!
Snow is snowy when it's snowing.
I'm sorry it's slushy when it's going.
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43. Desert Places

Robert Frost (1874-1963) spent many years living in New England, and a lot of his poetry was inspired by the landscape around him. In “Desert Places,” he uses the emptiness created by a snowstorm and the darkness of night to compare to depression and emotional turmoil. The loneliness of nature is nothing compared to the loneliness one experiences from their own darkness and isolation. Robert Frost had his own bouts with depression.

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- By Robert Frost
Snow falling and night falling fast, oh, fast
In a field I looked into going past,
And the ground almost covered smooth in snow,
But a few weeds and stubble showing last.

Snow falling and night falling fast, oh, fast
In a field I looked into going past,
And the ground almost covered smooth in snow,
But a few weeds and stubble showing last.

The woods around it have it--it is theirs.
All animals are smothered in their lairs.
I am too absent-spirited to count;
The loneliness includes me unawares.

And lonely as it is that loneliness
Will be more lonely ere it will be less--
A blanker whiteness of benighted snow
With no expression, nothing to express.

They cannot scare me with their empty spaces
Between stars--on stars where no human race is.
I have it in me so much nearer home
To scare myself with my own desert places.
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The time was 1958, the school Oak Park River Forest High, in a western suburb west of Chicago. The class was English Literature, and the teacher was Mildred Linden. After Christmas break, we...

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44. The Brook

The Industrial Revolution took place in Great Britain during the late 1700s and early 1800s. As cities grew, living conditions deteriorated for the poor and working class. Factories and mass production were beneficial for some but not everyone. This poem stands in contrast of new manufacturing processes of that time period by focusing on nature. The narrator in this poem, the brook, is personified. The brook shows persistence by continuing to flow, no matter what obstacles get in its way. The repeated lines, “For men may come and men may go, but I go on for ever,” showcase that. Famous poet Alfred Tennyson (1809-1892) was named Poet Laureate in Great Britain and Ireland.

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- By Alfred Tennyson
I come from haunts of coot and hern,
I make a sudden sally
And sparkle out among the fern,
To bicker down a valley.

I come from haunts of coot and hern,
I make a sudden sally
And sparkle out among the fern,
To bicker down a valley.

By thirty hills I hurry down,
Or slip between the ridges,
By twenty thorpes, a little town,
And half a hundred bridges.

Till last by Philip's farm I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

I chatter over stony ways,
In little sharps and trebles,
I bubble into eddying bays,
I babble on the pebbles.

With many a curve my banks I fret
By many a field and fallow,
And many a fairy foreland set
With willow-weed and mallow.

I chatter, chatter, as I flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.

I wind about, and in and out,
With here a blossom sailing,
And here and there a lusty trout,
And here and there a grayling,

And here and there a foamy flake
Upon me, as I travel
With many a silvery waterbreak
Above the golden gravel,

And draw them all along, and flow
To join the brimming river
For men may come and men may go,
But I go on for ever.

I steal by lawns and grassy plots,
I slide by hazel covers;
I move the sweet forget-me-nots
That grow for happy lovers.

I slip, I slide, I gloom, I glance,
Among my skimming swallows;
I make the netted sunbeam dance
Against my sandy shallows.

I murmur under moon and stars
In brambly wildernesses;
I linger by my shingly bars;
I loiter round my cresses;

And out again I curve and flow
To join the brimming river,
For men may come and men may go,
But I go on for ever.
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I was read poetry to my mother born 1929 in faraway Colombo, Sri Lanka. She loved this poem, and I remember her animated voice bringing the words hidden in the babbling brook to life and the...

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45. I Wandered Lonely As A Cloud

"I Wandered Lonely as a Cloud" is a lyric poem that expresses deep feelings about the beauty of nature. William Wordsworth was a well-known poet of the Romantic era, which began at the beginning of the 1800s. The focus during the Romantic era was on people's feelings and their connectedness to nature. That was a drastic shift from the emphasis on science and reason of the Enlightenment era, which came before. "I Wandered Lonely as a Cloud" is one of Wordsworth's most famous poems. It was inspired by a journal entry his sister wrote recounting when the two of them went for a walk along the bay and saw a large number of daffodils.

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- By William Wordsworth
I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host, of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
And twinkle on the milky way,
They stretched in never-ending line
Along the margin of a bay:
Ten thousand saw I at a glance,
Tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not but be gay,
In such a jocund company:
I gazed—and gazed—but little thought
What wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils.
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Honestly! How lovely is this poem when read aloud. I can see the yellow heads of the daffodils doing their sprightly dance! And, when in the meditative state, I can feel them in my heart...

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46. Nothing Gold Can Stay

Robert Frost is one of the most famous poets from the 1900s. He never earned a formal college degree, but he did receive honorary degrees from more than 40 colleges and universities. This famous poem shows that everything in life is cyclical and that the beauty in nature only lasts for a short period of time. Even though life ends, there is new life waiting to come forth.

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- By Robert Frost
Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.

Nature's first green is gold,
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.
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47. The Seed-Shop

One of the topics Muriel Stuart (1885-1967) liked to write about was nature. She even stopped writing poetry to pursue writing about gardening. In this poem, she shares about the hidden potential of seeds. In their current state, they look like lifeless stones, but an entire garden and forest rests inside of them when they are planted. The same could be said about people. When we don’t embrace our purpose and contribute to society, we are no better than unplanted seeds. But once we allow our gifts and talents to be used, we create beauty for others to enjoy.

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- By Muriel Stuart
HERE in a quiet and dusty room they lie,
Faded as crumbled stone and shifting sand,
Forlorn as ashes, shrivelled, scentless, dry -
Meadows and gardens running through my hand.

HERE in a quiet and dusty room they lie,
Faded as crumbled stone and shifting sand,
Forlorn as ashes, shrivelled, scentless, dry -
Meadows and gardens running through my hand.

Dead that shall quicken at the voice of spring,
Sleepers to wake beneath June’s tempest kiss;
Though birds pass over, unremembering,
And no bee find here roses that were his.

In this brown husk a dale of hawthorn dreams;
A cedar in this narrow cell is thrust
That shall drink deeply at a century’s streams;
These lilies shall make summer on my dust.

Here in their safe and simple house of death,
Sealed in their shells, a million roses leap;
Here I can stir a garden with my breath,
And in my hand a forest lies asleep.
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48. The Fish

This famous narrative poem transforms an ordinary moment into a gripping story about the moment when the Hunter meets the Hunted. The fisherwoman's catch of a tremendous fish takes an unexpected diversion when she takes the opportunity to observe it at close range. The life story of The Fish as told by its battle scars and beautiful fishiness gives the encounter a personal side and result in things taking an unexpected turn.

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- By Elizabeth Bishop
I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.

I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn’t fight.
He hadn’t fought at all.
He hung a grunting weight,
battered and venerable
and homely. Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green weed hung down.
While his gills were breathing in
the terrible oxygen
—the frightening gills,
fresh and crisp with blood,
that can cut so badly—
I thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes
which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
of old scratched isinglass.
They shifted a little, but not
to return my stare.
—It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
—if you could call it a lip—
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader
with the swivel still attached,
with all their five big hooks
grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts,
the oarlocks on their strings,
the gunnels—until everything
was rainbow, rainbow, rainbow!
And I let the fish go.
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49. My November Guest

The landscape of New England influenced many of Robert Frost’s poems, which can be seen in “My November Guest.” In this poem, sorrow is personified as someone the speaker loved. While the speaker sees things one way, Sorrow sees them differently. She sees the beauty in autumn, while the poet cannot. We each see beauty in different things. Even in the midst of sorrow there can be something beautiful. In the midst of autumn, where leaves are dying, there is beauty in their changing colors.

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- By Robert Frost
My Sorrow, when she's here with me,
Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;

My Sorrow, when she's here with me,
Thinks these dark days of autumn rain
Are beautiful as days can be;
She loves the bare, the withered tree;
She walks the sodden pasture lane.

Her pleasure will not let me stay.
She talks and I am fain to list:
She's glad the birds are gone away,
She's glad her simple worsted grey
Is silver now with clinging mist.

The desolate, deserted trees,
The faded earth, the heavy sky,
The beauties she so truly sees,
She thinks I have no eye for these,
And vexes me for reason why.

Not yesterday I learned to know
The love of bare November days
Before the coming of the snow,
But it were vain to tell her so,
And they are better for her praise.
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50. Stopping By Woods On A Snowy Evening

This deceptively simple poem is by Robert Frost (1874 – 1963). He wrote it in 1922 in a few moments after being up the entire night writing a long and complicated poem. The poem uses an AABA rhyme scheme. The repetition of the last line emphasizes the profundity contained in the last stanza, a popular reading for funerals.

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Top 100 68
- By Robert Frost
Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
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I was all of 16 years old (1958) at Oak Park High. We finished subjugating and conjugating at the end of our sophomore year. Finally I could put that dangling participle to rest and move on...

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51. Fog

“Fog” was part of Carl Sandburg’s first poetry collection, Chicago Poems, published in 1916. Sandburg wrote simply and was known to use the “language of the people.” This poem was no different. He used simple imagery, personification and a metaphor to compare fog to the movement of a cat. Sandburg was inspired to write this poem when he saw the fog roll in to the Chicago harbor.

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- By Carl Sandburg
The fog comes
on little cat feet.

It sits looking

The fog comes
on little cat feet.

It sits looking
over harbor and city
on silent haunches
and then moves on.

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My dear neighbor, Nellie, who is in her 80s, asked me, as I am an artist, to paint a picture for her to give to her husband for Christmas. She said he loves the poem "Here Comes the Fog" by...

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52. Peace

Being immersed in nature brings about a peace within a person. Everything in nature has been carefully and meticulously created, leaving us breathless when it’s enjoyed. The world revolves in a peaceful manner; it’s people who’ve created the chaos. Humans are so busy with many different things that we forget to slow down and enjoy the peace of nature.

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- By Bessie Rayner Parkes
THE steadfast coursing of the stars,
The waves that ripple to the shore,
The vigorous trees which year by year
Spread upwards more and more;

THE steadfast coursing of the stars,
The waves that ripple to the shore,
The vigorous trees which year by year
Spread upwards more and more;

The jewel forming in the mine,
The snow that falls so soft and light,
The rising and the setting sun,
The growing glooms of night;

All natural things both live and move
In natural peace that is their own;
Only in our disordered life
Almost is she unknown.

She is not rest, nor sleep, nor death;
Order and motion ever stand
To carry out her firm behests
As guards at her right hand.

And something of her living force
Fashions the lips when Christians say
To Him Whose strength sustains the world,
"Give us Thy Peace, we pray!"
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A beautiful and inspired poem about a sometimes elusive quality that we all so much need to permeate our hearts. Maybe it has something to do with understanding and being understood and...

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53. The Way Through The Woods

Joseph Rudyard Kipling (1865 - 1936) was an short-story writer, poet, and novelist. In 1907 Kipling was awarded the Nobel Prize for Literature. Among his most famous works are The Jungle Book and the poem "If."

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- By Rudyard Kipling
THEY shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know

THEY shut the road through the woods
Seventy years ago.
Weather and rain have undone it again,
And now you would never know
There was once a path through the woods
Before they planted the trees:
It is underneath the coppice and heath,
And the thin anemones.
Only the keeper sees
That, where the ring-dove broods
And the badgers roll at ease,
There was once a road through the woods.

Yet, if you enter the woods
Of a summer evening late,
When the night-air cools on the trout-ring’d pools
Where the otter whistles his mate
(They fear not men in the woods
Because they see so few),
You will hear the beat of a horse’s feet
And the swish of a skirt in the dew,
Steadily cantering through
The misty solitudes,
As though they perfectly knew
The old lost road through the woods ...
But there is no road through the woods.
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I am a born nature lover. I have always been inspired by its grace and beauty. Currently I'm trying to make my own poem diary containing all my favourite poems, most of which are based on...

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54. The Glory Of The Garden

The Glory Of The Garden By Rudyard Kipling was first published in A School History of England (1911).

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- By Rudyard Kipling
Our England is a garden that is full of stately views,
Of borders, beds and shrubberies and lawns and avenues,
With statues on the terraces and peacocks strutting by;
But the Glory of the Garden lies in more than meets the eye.

Our England is a garden that is full of stately views,
Of borders, beds and shrubberies and lawns and avenues,
With statues on the terraces and peacocks strutting by;
But the Glory of the Garden lies in more than meets the eye.

For where the old thick laurels grow, along the thin red wall,
You'll find the tool- and potting-sheds which are the heart of all
The cold-frames and the hot-houses, the dung-pits and the tanks,
The rollers, carts, and drain-pipes, with the barrows and the planks.

And there you'll see the gardeners, the men and 'prentice boys
Told off to do as they are bid and do it without noise ;
For, except when seeds are planted and we shout to scare the birds,
The Glory of the Garden it abideth not in words.

And some can pot begonias and some can bud a rose,
And some are hardly fit to trust with anything that grows ;
But they can roll and trim the lawns and sift the sand and loam,
For the Glory of the Garden occupieth all who come.

Our England is a garden, and such gardens are not made
By singing, "Oh, how beautiful," and sitting in the shade
While better men than we go out and start their working lives
At grubbing weeds from gravel-paths with broken dinner-knives.

There's not a pair of legs so thin, there's not a head so thick,
There's not a hand so weak and white, nor yet a heart so sick
But it can find some needful job that's crying to be done,
For the Glory of the Garden glorifieth every one.

Then seek your job with thankfulness and work till further orders,
If it's only netting strawberries or killing slugs on borders;
And when your back stops aching and your hands begin to harden,
You will find yourself a partner In the Glory of the Garden.

Oh, Adam was a gardener, and God who made him sees
That half a proper gardener's work is done upon his knees,
So when your work is finished, you can wash your hands and pray
For the Glory of the Garden that it may not pass away!

And the Glory of the Garden it shall never pass away!
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55. Spring

Edna St. Vincent Millay (1892-1950), was born in Rockland, Maine on February 22. During the 1920's she lived in Greenwich Village, New York City, and wrote for Vanity Fair under the pseudonym Nancy Boyd.

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- By Edna St. Vincent Millay
To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.

To what purpose, April, do you return again?
Beauty is not enough.
You can no longer quiet me with the redness
Of little leaves opening stickily.
I know what I know.
The sun is hot on my neck as I observe
The spikes of the crocus.
The smell of the earth is good.
It is apparent that there is no death.
But what does that signify?
Not only under ground are the brains of men
Eaten by maggots.
Life in itself
Is nothing,
An empty cup, a flight of uncarpeted stairs.
It is not enough that yearly, down this hill,
April
Comes like an idiot, babbling and strewing flowers
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56. There Is Another Sky

This poem about finding a beautiful garden is one of Emily Dickinson's most well known poems. The precise meaning of the poem is a matter of opinion. One possibility is that she is pointing out that a person may be disappointed in his quest to experience beauty in the world. However, when we look inside ourselves and one another, we may find a flourishing beautiful garden of delights!

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- By Emily Dickinson
There is another sky,
Ever serene and fair,
And there is another sunshine,
Though it be darkness there;

There is another sky,
Ever serene and fair,
And there is another sunshine,
Though it be darkness there;
Never mind faded forests, Austin,
Never mind silent fields -
Here is a little forest,
Whose leaf is ever green;
Here is a brighter garden,
Where not a frost has been;
In its unfading flowers
I hear the bright bee hum:
Prithee, my brother,
Into my garden come!
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My mother, Joyce, loves her garden, which she made and made beautiful; and her other garden is the seeds of positivity, love, and joy that she has sown throughout her life. Joyce is 84 now...

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57. Sea Fever

As you read this poem about the beauty of sailing the ocean, imagine the smell of the salt air, the wind on your face and the movement of the waves as you sail toward your destiny.

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- By John Masefield
I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a gray mist on the sea's face, and a gray dawn breaking.

I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a gray mist on the sea's face, and a gray dawn breaking.

I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.

I must go down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way, where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick's over.
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My grandmother lived on the Gulf Coast on a bay, and I visited her throughout my childhood, from my home in the southwest desert. I've lived years now from any coast and found this poem...

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58. The Humblebee

Ralph Waldo Emerson was an American essayist, poet, and lecturer who lived from 1803-1882. Emerson believed that nature has knowledge for man to learn, but one must be attentive and willing to study the messages it presents. Emerson believed in the perfection of the natural world because it was not created by humans. This poem touches on the greatness of nature. The bee is seen as a symbol of innocence, and bumblebees used to be known as "humble bees." They are so intent on getting nectar that it's possible to pet them.

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- By Ralph Waldo Emerson
Burly dozing humblebee!
Where thou art is clime for me.
Let them sail for Porto Rique,
Far-off heats through seas to seek,

Burly dozing humblebee!
Where thou art is clime for me.
Let them sail for Porto Rique,
Far-off heats through seas to seek,
I will follow thee alone,
Thou animated torrid zone!
Zig-zag steerer, desert-cheerer,
Let me chase thy waving lines,
Keep me nearer, me thy hearer,
Singing over shrubs and vines.

Insect lover of the sun,
Joy of thy dominion!
Sailor of the atmosphere,
Swimmer through the waves of air,
Voyager of light and noon,
Epicurean of June,
Wait I prithee, till I come
Within ear-shot of thy hum,--
All without is martyrdom.

When the south wind, in May days,
With a net of shining haze,
Silvers the horizon wall,
And, with softness touching all,
Tints the human countenance
With a color of romance,
And, infusing subtle heats,
Turns the sod to violets,
Thou in sunny solitudes,
Rover of the underwoods,
The green silence dost displace,
With thy mellow breezy bass.

Hot midsummer's petted crone,
Sweet to me thy drowsy tune,
Telling of countless sunny hours,
Long days, and solid banks of flowers,
Of gulfs of sweetness without bound
In Indian wildernesses found,
Of Syrian peace, immortal leisure,
Firmest cheer and bird-like pleasure.

Aught unsavory or unclean,
Hath my insect never seen,
But violets and bilberry bells,
Maple sap and daffodels,
Grass with green flag half-mast high,
Succory to match the sky,
Columbine with horn of honey,
Scented fern, and agrimony,
Clover, catch fly, adders-tongue,
And brier-roses dwelt among;
All beside was unknown waste,
All was picture as he passed.

Wiser far than human seer,
Yellow-breeched philosopher!
Seeing only what is fair,
Sipping only what is sweet,
Thou dost mock at fate and care,
Leave the chaff and take the wheat,
When the fierce north-western blast
Cools sea and land so far and fast,
Thou already slumberest deep,--
Woe and want thou canst out-sleep,--
Want and woe which torture us,
Thy sleep makes ridiculous
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59. The Tyger

William Blake became an apprentice to an engraver at a young age, which was an inspiration for many of his poems. The Tyger in this poem is a symbol of creation and the presence of both good and evil in this world. The Tyger is written in Quatrains (4 line stanzas) and follows an AABB rhyme scheme.

Famous Poem
- By William Blake
Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye
Could frame thy fearful symmetry?

In what distant deeps or skies
Burnt the fire of thine eyes?
On what wings dare he aspire?
What the hand dare seize the fire?

And what shoulder, and what art,
Could twist the sinews of thy heart?
And when thy heart began to beat,
What dread hand? and what dread feet?

What the hammer? what the chain?
In what furnace was thy brain?
What the anvil? what dread grasp
Dare its deadly terrors clasp?

When the stars threw down their spears,
And watered heaven with their tears,
Did he smile his work to see?
Did he who made the Lamb make thee?

Tyger! Tyger! burning bright
In the forests of the night,
What immortal hand or eye,
Dare frame thy fearful symmetry?
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60. God The Artist

Angela Morgan was an American writer who formed a musical quartet with her three sisters, and her brother was their manager. This was one way she earned a living. In this poem, the narrator reflects on the marvels of God. How did He come up with all the ideas and intricacies we see in nature?

Famous Poem
- By Angela Morgan
God, when you thought of a pine tree,
How did you think of a star?
How did you dream of the Milky Way
To guide us from afar.

God, when you thought of a pine tree,
How did you think of a star?
How did you dream of the Milky Way
To guide us from afar.
How did you think of a clean brown pool
Where flecks of shadows are?

God, when you thought of a cobweb,
How did you think of dew?
How did you know a spider's house
Had shingles bright and new?
How did you know the human folk
Would love them like they do?

God, when you patterned a bird song,
Flung on a silver string,
How did you know the ecstasy
That crystal call would bring?
How did you think of a bubbling throat
And a darling speckled wing?

God, when you chiseled a raindrop,
How did you think of a stem,
Bearing a lovely satin leaf
To hold the tiny gem?
How did you know a million drops
Would deck the morning's hem?

Why did you mate the moonlit night
With the honeysuckle vines?
How did you know Madeira bloom
Distilled ecstatic wines?
How did you weave the velvet disk
Where tangled perfumes are?
God, when you thought of a pine tree,
How did you think of a star?
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41 - 60 of 68

Famous Nature Poems - Page 3

41. The Eagle

In this short poem by Alfred Lord Tennyson (1809-1892), he captures the majesty of an eagle hunting from the top of a cliff. This descriptive poem is comprised of tercets (three-line stanzas).

42. Winter Morning Poem

This famous poem by Ogden Nash uses descriptive language to show the beauty of snow. Winter is unlike any other season where snow blankets everything it touches. It transforms the land into a magical experience. Ogden Nash (1902-1971) was well-known and appreciated during his lifetime.

43. Desert Places

44. The Brook

45. I Wandered Lonely As A Cloud

46. Nothing Gold Can Stay

47. The Seed-Shop

48. The Fish

49. My November Guest

50. Stopping By Woods On A Snowy Evening

51. Fog

52. Peace

53. The Way Through The Woods

Joseph Rudyard Kipling (1865 - 1936) was an short-story writer, poet, and novelist. In 1907 Kipling was awarded the Nobel Prize for Literature. Among his most famous works are The Jungle Book and the poem "If."

54. The Glory Of The Garden

The Glory Of The Garden By Rudyard Kipling was first published in A School History of England (1911).

55. Spring

Edna St. Vincent Millay (1892-1950), was born in Rockland, Maine on February 22. During the 1920's she lived in Greenwich Village, New York City, and wrote for Vanity Fair under the pseudonym Nancy Boyd.

56. There Is Another Sky

57. Sea Fever

As you read this poem about the beauty of sailing the ocean, imagine the smell of the salt air, the wind on your face and the movement of the waves as you sail toward your destiny.

58. The Humblebee

59. The Tyger

William Blake became an apprentice to an engraver at a young age, which was an inspiration for many of his poems. The Tyger in this poem is a symbol of creation and the presence of both good and evil in this world. The Tyger is written in Quatrains (4 line stanzas) and follows an AABB rhyme scheme.

60. God The Artist

Angela Morgan was an American writer who formed a musical quartet with her three sisters, and her brother was their manager. This was one way she earned a living. In this poem, the narrator reflects on the marvels of God. How did He come up with all the ideas and intricacies we see in nature?