Famous Sad Poems

The art of losing isn’t hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn’t hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn’t hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn’t a disaster.

—Even losing you (the joking voice, a gesture
I love) I shan’t have lied.  It’s evident
the art of losing’s not too hard to master
though it may look like (Write it!) like disaster.

I went out at night alone;
  The young blood flowing beyond the sea
Seemed to have drenched my spirit’s wings—
  I bore my sorrow heavily.

But when I lifted up my head
  From shadows shaken on the snow,
I saw Orion in the east
  Burn steadily as long ago.

From windows in my father’s house,
  Dreaming my dreams on winter nights,
I watched Orion as a girl
  Above another city’s lights.

Years go, dreams go, and youth goes too,
   The world’s heart breaks beneath its wars,
All things are changed, save in the east
  The faithful beauty of the stars.

I SIT and look out upon all the sorrows of the world, and upon all
        oppression and shame;
I hear secret convulsive sobs from young men, at anguish with
        themselves, remorseful after deeds done;
I see, in low life, the mother misused by her children, dying,
        neglected, gaunt, desperate;
I see the wife misused by her husband—I see the treacherous seducer
        of young women;
I mark the ranklings of jealousy and unrequited love, attempted to be
        hid—I see these sights on the earth;
I see the workings of battle, pestilence, tyranny—I see martyrs and
        prisoners;
I observe a famine at sea—I observe the sailors casting lots who
        shall be kill'd, to preserve the lives of the rest;
I observe the slights and degradations cast by arrogant persons upon
        laborers, the poor, and upon negroes, and the like;
All these—All the meanness and agony without end, I sitting, look
        out upon,
See, hear, and am silent.

This, too, will pass.
O heart, say it over and over,
Out of your deepest sorrow,
out of your deepest grief,
No hurt can last forever--
Perhaps tomorrow will bring relief.

This, too, will pass.
It will spend itself--
Its fury will die as the wind dies down
with the setting sun;
Assuaged and calm, you will rest again,
Forgetting a thing that is done.

Repeat it again and again,
O heart, for your comfort;
This, too, will pass
as surely as passed before
The old forgotten pain, and the other sorrows
That once you bore.

As certain as stars at night,
or dawn after darkness,
Inherent as the lift of the blowing grass,
Whatever your despair or your frustration--
This, too, will pass.

The tulips are too excitable, it is winter here.
Look how white everything is, how quiet, how snowed-in.   
I am learning peacefulness, lying by myself quietly
As the light lies on these white walls, this bed, these hands.   
I am nobody; I have nothing to do with explosions.   
I have given my name and my day-clothes up to the nurses   
And my history to the anesthetist and my body to surgeons.

They have propped my head between the pillow and the sheet-cuff   
Like an eye between two white lids that will not shut.
Stupid pupil, it has to take everything in.
The nurses pass and pass, they are no trouble,
They pass the way gulls pass inland in their white caps,
Doing things with their hands, one just the same as another,   
So it is impossible to tell how many there are.

My body is a pebble to them, they tend it as water
Tends to the pebbles it must run over, smoothing them gently.
They bring me numbness in their bright needles, they bring me sleep.   
Now I have lost myself I am sick of baggage——
My patent leather overnight case like a black pillbox,   
My husband and child smiling out of the family photo;   
Their smiles catch onto my skin, little smiling hooks.

I have let things slip, a thirty-year-old cargo boat   
stubbornly hanging on to my name and address.
They have swabbed me clear of my loving associations.   
Scared and bare on the green plastic-pillowed trolley   
I watched my teaset, my bureaus of linen, my books   
Sink out of sight, and the water went over my head.   
I am a nun now, I have never been so pure.

I didn’t want any flowers, I only wanted
To lie with my hands turned up and be utterly empty.
How free it is, you have no idea how free——
The peacefulness is so big it dazes you,
And it asks nothing, a name tag, a few trinkets.
It is what the dead close on, finally; I imagine them   
Shutting their mouths on it, like a Communion tablet.   

The tulips are too red in the first place, they hurt me.
Even through the gift paper I could hear them breathe   
Lightly, through their white swaddlings, like an awful baby.   
Their redness talks to my wound, it corresponds.
They are subtle : they seem to float, though they weigh me down,   
Upsetting me with their sudden tongues and their color,   
A dozen red lead sinkers round my neck.

Nobody watched me before, now I am watched.   
The tulips turn to me, and the window behind me
Where once a day the light slowly widens and slowly thins,   
And I see myself, flat, ridiculous, a cut-paper shadow   
Between the eye of the sun and the eyes of the tulips,   
And I have no face, I have wanted to efface myself.   
The vivid tulips eat my oxygen.

Before they came the air was calm enough,
Coming and going, breath by breath, without any fuss.   
Then the tulips filled it up like a loud noise.
Now the air snags and eddies round them the way a river   
Snags and eddies round a sunken rust-red engine.   
They concentrate my attention, that was happy   
Playing and resting without committing itself.

The walls, also, seem to be warming themselves.
The tulips should be behind bars like dangerous animals;   
They are opening like the mouth of some great African cat,   
And I am aware of my heart: it opens and closes
Its bowl of red blooms out of sheer love of me.
The water I taste is warm and salt, like the sea,
And comes from a country far away as health.

The day is cold, and dark, and dreary
It rains, and the wind is never weary;
The vine still clings to the mouldering wall,
But at every gust the dead leaves fall,
And the day is dark and dreary.

My life is cold, and dark, and dreary;
It rains, and the wind is never weary;
My thoughts still cling to the mouldering Past,
But the hopes of youth fall thick in the blast,
And the days are dark and dreary.

Be still, sad heart! and cease repining;
Behind the clouds is the sun still shining;
Thy fate is the common fate of all,
Into each life some rain must fall,
Some days must be dark and dreary.