Famous Nature Poems - Page 4

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  1. 61. Dear March - Come In -

    Dear March - Come In - by Emily Dickinson is a welcoming ode to the arrival of the month of March. In this brief yet evocative poem, Dickinson personifies March as a cherished guest, inviting it to enter warmly. Through its simple language and gentle tone, the poem captures the anticipation and hope associated with the transition from winter to spring. Dickinson's imagery evokes the awakening of nature and the promise of new beginnings as March heralds the arrival of warmer weather and the renewal of life.

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    Dear March—Come in—
    How glad I am—
    I hoped for you before—
    Put down your Hat—

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  3. 62. What The Birds Teach Us

    "What The Birds Teach Us" by J. R. Eastwood highlights the resilience and determination of birds even in the bleakness of November. The poem portrays the birds as persistent creatures, braving the harsh weather and actively searching for sustenance. Their behavior serves as a lesson to humans, emphasizing that no matter how challenging the circumstances may be, as long as there is a will, there is always a way forward.

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    • By J. R. Eastwood

    November now is here,
    With skies of leaden hue,
    And gloomy days and drear,
    And winds that pierce us through.

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  5. 63. Spring Fever

    In "Spring Fever" by Charles A. Heath, the poem captures the joy and anticipation of the arrival of spring. The speaker describes various signs of the season, such as the longing for nature, the return of robins and frogs, and the migration of ducks and geese. The poem also portrays the practical activities associated with spring, like opening windows, cleaning and fixing things, and engaging in outdoor pursuits like fishing. Through lively imagery and a playful tone, the poem conveys the sense of renewal and excitement that comes with the arrival of spring. It celebrates the awakening of nature and the eager anticipation of enjoying the outdoors after the long winter months.

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    • By Charles A. Heath

    When a feller feels a longing
    For the medder in his breast.
    When the robins north are thronging,
    Where they haste to build their nest.

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  6. 64. My Heart's In The Highlands

    "My Heart's in the Highlands" by Robert Burns is a heartfelt expression of the speaker's deep yearning for his native Scotland. Through vivid imagery, Burns paints a picture of the rugged beauty and untamed landscapes of the Scottish Highlands. Despite being physically distant from his homeland, the speaker's heart remains firmly rooted in its soil, symbolizing his enduring connection and sense of belonging. The poem resonates with themes of homesickness and nostalgia, evoking a universal longing for a beloved place. With its emotive language and heartfelt sentiment, "My Heart's in the Highlands" continues to captivate readers with its portrayal of love for the land and the enduring power of home.

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    • By Robert Burns

    Farewell to the Highlands, farewell to the North,
    The birth-place of Valour, the country of Worth;
    Wherever I wander, wherever I rove,
    The hills of the Highlands for ever I love.

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  7. 65. October

    Ruby Archer's "October" is a poignant elegy to the passing of summer and the onset of autumn. The poem personifies the month as a melancholic figure, contrasting sharply with the joyous exuberance of the preceding months. Through vivid imagery and a contemplative tone, Archer captures the bittersweet nature of seasonal change.

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    The laughing months have all tripped gaily by,
    With flower entangled hair, lips thrilled with song;
    But lingering behind the merry throng
    Comes one with smile more sad than any sigh,

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  8. 66. A Maple Leaf

    Margaret E. Sangster's "A Maple Leaf" challenges our perception of beauty with a surprising opening line. "So bright in death I used to say," uses a personification technique, giving voice to the leaf. This unexpected viewpoint sets the stage for a poem that explores the beauty found not just in life's vibrancy, but also in the quiet dignity of aging.

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    • By Margaret E. Sangster

    So bright in death I used to say,
    So beautiful through frost and cold!
    A lovelier thing I know to-day,
    The leaf is growing old,

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  9. 67. The Morns Are Meeker Than They Were

    Emily Dickinson’s The Morns Are Meeker Than They Were is a short poem that reflects on the arrival of autumn and the quiet beauty of seasonal change. Dickinson uses vivid imagery such as brown nuts, plump berries, scarlet fields, and colorful maple trees to paint a picture of nature shifting from summer to fall. Through personification, nature is described as if it were dressing itself, with the maple wearing a “gayer scarf” and the field a “scarlet gown,” making the season feel lively and elegant. The speaker’s playful decision to “put a trinket on” creates symbolism, suggesting a desire to join in with nature’s transformation. The poem’s central message is that change is a natural and beautiful part of life, and people should embrace and celebrate the transitions around them.

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    The morns are meeker than they were,
    The nuts are getting brown;
    The berry's cheek is plumper,
    The rose is out of town.

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  10. 68. The Forest Morn

    This poem reimagines creation not as a violent cosmic explosion, but as something gentler, a forest slowly waking at dawn. Through birdsong, mist, and filtered light, it suggests the world was born gradually and beautifully, like a breath rather than a blast.

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    I sometimes think that thus was born the world—
    Not like a blinding sun from chaos hurled
    To blaze and burn for ages—that it woke
    As wakes the forest, wakes the verdant oak,

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  11. 69. When The Geese Come North

    Malloch's poem celebrates spring's arrival with the "faint honk-honk" of geese migrating north. Their formation in the sky resembles writing their name, a joyous cry echoing their homecoming. As the geese return, the poem paints a picture of a world awakening: lakes losing their icy grip, flowers blooming, and the sun's warmth piercing winter's hold. These images, combined with the geese's presence, solidify them as harbingers of spring's renewal and liberation.

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    Their faint "honk-honk" announces them,
    The geese when they come flying north;
    Above the far horizon's hem
    From out the south they issue forth.

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  12. 70. The Tide Rises, The Tide Falls

    Henry Wadsworth Longfellow’s The Tide Rises, The Tide Falls is a short yet powerful poem that reflects on the cycle of life and the inevitability of death. Through the repeated movement of the ocean tide, Longfellow shows how nature continues endlessly while human life is temporary. The traveler in the poem symbolizes an individual journeying through life, but when he disappears and “nevermore returns,” it suggests death and the passing of time. The imagery of waves erasing footprints from the sand emphasizes how human existence can fade quickly, while nature remains unchanged. The poem’s central message is that although human lives are brief, the natural world and the cycle of life continue on forever.

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    The tide rises, the tide falls,
    The twilight darkens, the curlew calls;
    Along the sea-sands damp and brown
    The traveler hastens toward the town,

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  13. 71. Spring Tidings

    Ruby Archer's "Spring Tidings" is a celebration of the imminent arrival of spring, despite the weatherman's insistence on winter's hold. The poem effectively employs poetic devices such as contrast, personification, symbolism, and repetition to convey the speaker's deep connection with nature and their ability to perceive the subtle signs of spring emerging amidst winter's remnants. The speaker's keen observation, highlighted by the personified tree roots and the symbolic daffodil, challenges the weatherman's authority and underscores the power of nature's resilience.

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    A world of snow, and winter yet,
    The weather-man decrees.
    He listens to the bragging wind,
    I hearken roots of trees.

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  14. 72. September

    Ella Wheeler Wilcox’s September is a reflective poem about aging, maturity, and accepting the natural transitions of life. Wilcox uses the changing seasons as an extended metaphor, comparing the stages of life to the movement from summer into autumn, where youthful passion and intensity gradually give way to calm wisdom and acceptance. Through vivid imagery such as “radiant Summer,” “a tinge of gold,” and “soberer asters,” the poem captures the beauty of growing older without sadness or regret. The symbolism of leaving behind May and August represents letting go of youth and past experiences, while the peaceful tone emphasizes acceptance rather than longing. The poem’s central message is that every stage of life has its own beauty, and true maturity comes from embracing change gracefully instead of clinging to the past.

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    My life's long radiant Summer halts at last,
    And lo! beside my path way I behold
    Pursuing Autumn glide: nor frost nor cold
    Has heralded her presence; but a vast

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  15. 73. The Lighthouse

    Henry Wadsworth Longfellow’s The Lighthouse is a thoughtful poem that uses the image of a lighthouse standing strong against the power of the ocean to symbolize guidance, strength, and hope. Through vivid imagery of crashing waves, storms, darkness, and ships traveling through dangerous waters, Longfellow presents the lighthouse as a steady protector that helps sailors safely find their way. By personifying the lighthouse and comparing it to heroic figures like Christopher and Prometheus, he emphasizes qualities of courage, endurance, and selfless service. The contrast between the violent forces of nature and the lighthouse’s calm, unwavering presence highlights the poem’s central message: even in the midst of life’s difficulties, there is value in remaining strong and serving as a source of light and support for others.

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    The rocky ledge runs far into the sea,
    And on its outer point, some miles away,
    The Lighthouse lifts its massive masonry,
    A pillar of fire by night, of cloud by day.

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  16. 74. March

    Ella Wheeler Wilcox’s March is a poem about change and the idea that difficult or unpleasant experiences are often necessary for growth and renewal. Wilcox uses personification by describing March as a harsh reformer, with rough manners, wild clothing, and stormy behavior, making the month seem like a strict but necessary force of nature. Through imagery of wind, storms, poisoned brooks, and crocus beds being freed, the poem shows March clearing away winter and preparing the world for new life. The contrast between the unpleasantness of March and the beauty of April and May emphasizes that hardship often comes before happiness. The poem’s central message is that uncomfortable change and struggle are often required to create growth, progress, and better things ahead.

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    Like some reformer, who with mien austere,
    Neglected dress, and loud insistent tones,
    More rasping than the wrongs which she bemoans,
    Walks through the land and wearies all who hear,

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  17. 75. October

    This vivid autumn poem celebrates October's splendor through a panorama of sights and sounds. McLellan captures the season at its peak, golden orchards, russet woods, ripened fields, and brilliant late-blooming flowers, while also documenting the era's rural pastimes: angling in quiet brooks, hunting waterfowl across marshes and bays. It's both a nature portrait and a nostalgic snapshot of 19th-century outdoor life, reveling in autumn's "ripe, imperial time".

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    • By Isaac McLellan

    It is October, and the glory of the year
    Is in the skies and on the woods extended far and near;
    It glows in burnish'd clouds, it flushes all the air;
    It lies in hollow vales, in uplands brown and bare.

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  18. 76. I Taste A Liquor Never Brewed

    Emily Dickinson’s I Taste a Liquor Never Brewed is a joyful poem that celebrates nature, imagination, and the overwhelming happiness the speaker feels when experiencing the beauty of the natural world. Dickinson uses an extended metaphor by comparing her excitement and delight in nature to being intoxicated by alcohol, even though this “liquor” comes from the air, dew, and summer skies rather than something physically brewed. Through vivid imagery such as “inns of molten blue,” bees, butterflies, and foxgloves, the poem creates a lively picture of nature as a place of endless pleasure and wonder. Strong personification appears when bees, butterflies, saints, and angels are given human-like actions, adding playfulness to the poem. The poem’s central message is that the beauty of nature can create a feeling of joy so powerful that it feels more intoxicating and uplifting than any earthly pleasure.

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    I taste a liquor never brewed,
    From tankards scooped in pearl;
    Not all the vats upon the Rhine
    Yield such an alcohol!

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