Famous Nature Poems - Page 4

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  1. 61. The Waterfall

    "The Waterfall" by Jessie B. Rittenhouse explores the paradox of seeking solace in nature's grandeur but finding inner turmoil instead. The poem uses strong auditory imagery, such as the "jubilant wild voice" of the waterfall, to evoke the powerful and overwhelming presence of the natural world. The poet's use of contrast between the external "jubilant" sound and the internal "bound heart" highlights the tension between outward beauty and inner struggles. The personification of the waterfall's voice emphasizes its dominance, while the melancholic tone underscores the speaker's sense of frustration and longing for personal liberation.

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    I went to see a waterfall
    When days were dull of song.
    And to its jubilant wild voice
    I listened deep and long.

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  3. 62. The Humblebee

    Ralph Waldo Emerson was an American essayist, poet, and lecturer who lived from 1803-1882. Emerson believed that nature has knowledge for man to learn, but one must be attentive and willing to study the messages it presents. Emerson believed in the perfection of the natural world because it was not created by humans. This poem touches on the greatness of nature. The bee is seen as a symbol of innocence, and bumblebees used to be known as "humble bees." They are so intent on getting nectar that it's possible to pet them.

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    Burly dozing humblebee!
    Where thou art is clime for me.
    Let them sail for Porto Rique,
    Far-off heats through seas to seek,

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    This poem really touched me. Fantastic work, truly beautiful.

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  5. 63. Birches

    "Birches" was first published in the Atlantic Monthly in 1915. The poem about the Birch tree with branches weighed heavy with ice and snow is one of Frost's most famous poems.

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    When I see birches bend to left and right
    Across the lines of straighter darker trees,
    I like to think some boy's been swinging them.
    But swinging doesn't bend them down to stay

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    I love this poem. It make me appreciate what the writer had done.

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  6. 64. Spring

    Edna St. Vincent Millay (1892-1950), was born in Rockland, Maine on February 22. During the 1920's she lived in Greenwich Village, New York City, and wrote for Vanity Fair under the pseudonym Nancy Boyd.

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    To what purpose, April, do you return again?
    Beauty is not enough.
    You can no longer quiet me with the redness
    Of little leaves opening stickily.

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  7. 65. The Morns Are Meeker Than They Were

    Emily Dickinson’s The Morns Are Meeker Than They Were is a short poem that reflects on the arrival of autumn and the quiet beauty of seasonal change. Dickinson uses vivid imagery such as brown nuts, plump berries, scarlet fields, and colorful maple trees to paint a picture of nature shifting from summer to fall. Through personification, nature is described as if it were dressing itself, with the maple wearing a “gayer scarf” and the field a “scarlet gown,” making the season feel lively and elegant. The speaker’s playful decision to “put a trinket on” creates symbolism, suggesting a desire to join in with nature’s transformation. The poem’s central message is that change is a natural and beautiful part of life, and people should embrace and celebrate the transitions around them.

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    The morns are meeker than they were,
    The nuts are getting brown;
    The berry's cheek is plumper,
    The rose is out of town.

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  8. 66. The Lighthouse

    Henry Wadsworth Longfellow’s The Lighthouse is a thoughtful poem that uses the image of a lighthouse standing strong against the power of the ocean to symbolize guidance, strength, and hope. Through vivid imagery of crashing waves, storms, darkness, and ships traveling through dangerous waters, Longfellow presents the lighthouse as a steady protector that helps sailors safely find their way. By personifying the lighthouse and comparing it to heroic figures like Christopher and Prometheus, he emphasizes qualities of courage, endurance, and selfless service. The contrast between the violent forces of nature and the lighthouse’s calm, unwavering presence highlights the poem’s central message: even in the midst of life’s difficulties, there is value in remaining strong and serving as a source of light and support for others.

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    The rocky ledge runs far into the sea,
    And on its outer point, some miles away,
    The Lighthouse lifts its massive masonry,
    A pillar of fire by night, of cloud by day.

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  9. 67. March

    Ella Wheeler Wilcox’s March is a poem about change and the idea that difficult or unpleasant experiences are often necessary for growth and renewal. Wilcox uses personification by describing March as a harsh reformer, with rough manners, wild clothing, and stormy behavior, making the month seem like a strict but necessary force of nature. Through imagery of wind, storms, poisoned brooks, and crocus beds being freed, the poem shows March clearing away winter and preparing the world for new life. The contrast between the unpleasantness of March and the beauty of April and May emphasizes that hardship often comes before happiness. The poem’s central message is that uncomfortable change and struggle are often required to create growth, progress, and better things ahead.

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    Like some reformer, who with mien austere,
    Neglected dress, and loud insistent tones,
    More rasping than the wrongs which she bemoans,
    Walks through the land and wearies all who hear,

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  10. 68. Pray To What Earth

    Henry David Thoreau was an American author, poet, and historian who lived from 1817-1862. Some of his works are about living simply among the surroundings of nature, which can be felt in this piece. Thoreau personifies the moon in this poem by giving “her” human characteristics.

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    Pray to what earth does this sweet cold belong,
    Which asks no duties and no conscience?
    The moon goes up by leaps, her cheerful path
    In some far summer stratum of the sky,

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  11. 69. A Narrow Fellow In The Grass

    When the poem was published in the Springfield Daily Republican (Feb. 14, 1866), it was entitled "The Snake."

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    A narrow fellow in the grass
    Occasionally rides;
    You may have met him,--did you not,
    His notice sudden is.

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  12. 70. A Winter Blue Jay

    Sara Teasdale’s (1884-1933) “A Winter Blue Jay” was published in the book Rivers to the Sea in 1915. This poem features two lovers enjoying a beautiful winter day. They think nothing could be better than the sights they’ve already experienced, but then they spot a bluejay. Just as their day is filled with more beauty, so is their love as time moves forward. Sara Teasdale married Ernst Filsinger. Unfortunately, he traveled a lot for work, leaving her lonely, and their marriage ended in 1929.

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    Crisply the bright snow whispered,
    Crunching beneath our feet;
    Behind us as we walked along the parkway,
    Our shadows danced,

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  13. 71. The End Of The Summer

    Ella Wheeler Wilcox's "The End of the Summer" beautifully portrays the transition from summer to autumn through vivid imagery and personification. The birds celebrate the arrival of cooler weather, while nature's secrets unfold and the landscape transforms with vibrant colors. As the season progresses, the woods lose their glory, and the birds prepare to migrate southward. The poem concludes with a longing for the lively city. Wilcox's use of imagery creates a poignant reflection on the changing seasons and the fleeting beauty of nature.

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    The birds laugh loud and long together
    When Fashion's followers speed away
    At the first cool breath of autumn weather.
    Why, this is the time, cry the birds, to stay!

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  14. 72. The Fish

    This famous narrative poem transforms an ordinary moment into a gripping story about the moment when the Hunter meets the Hunted. The fisherwoman's catch of a tremendous fish takes an unexpected diversion when she takes the opportunity to observe it at close range. The life story of The Fish as told by its battle scars and beautiful fishiness gives the encounter a personal side and result in things taking an unexpected turn.

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    I caught a tremendous fish
    and held him beside the boat
    half out of water, with my hook
    fast in a corner of his mouth.

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  15. 73. September

    Ella Wheeler Wilcox’s September is a reflective poem about aging, maturity, and accepting the natural transitions of life. Wilcox uses the changing seasons as an extended metaphor, comparing the stages of life to the movement from summer into autumn, where youthful passion and intensity gradually give way to calm wisdom and acceptance. Through vivid imagery such as “radiant Summer,” “a tinge of gold,” and “soberer asters,” the poem captures the beauty of growing older without sadness or regret. The symbolism of leaving behind May and August represents letting go of youth and past experiences, while the peaceful tone emphasizes acceptance rather than longing. The poem’s central message is that every stage of life has its own beauty, and true maturity comes from embracing change gracefully instead of clinging to the past.

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    My life's long radiant Summer halts at last,
    And lo! beside my path way I behold
    Pursuing Autumn glide: nor frost nor cold
    Has heralded her presence; but a vast

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  16. 74. Who Has Seen The Wind?

    Until the age of nine, Christina Rossetti (1830-1894) spent time at her grandfather’s cottage in Holmer Green. In 1839, he sold the property and moved to London. During these visits to Holmer Green, Christina had the freedom to wander around the property and fall in love with nature. The natural world seeped into the poetry she went on to write.

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    Who has seen the wind?
    Neither I nor you:
    But when the leaves hang trembling,
    The wind is passing through.

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    Such a short poem yet so very profound. She spells magic by her words.

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  17. 75. There Will Come Soft Rains (War Time)

    The Sedition Act of 1918 made it a crime to express any dissenting views about the U.S. involvements in World War I. This forced writers like Sara Teasdale to express their opposition to the war in more subtle ways. The poem suggests that even if humans were to be destroyed by war, the earth would continue to exist and even flourish without us. The personification of Spring as being indifferent to the fate of humanity emphasizes that the meaning of our existence is something that we create for ourselves, and that nature is not concerned with us. The poem is a powerful statement against the wasteful nature of war, and a reminder that we must strive to protect the natural world that sustains us.

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    There will come soft rains and the smell of the ground,
    And swallows circling with their shimmering sound;

    And frogs in the pools singing at night,

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  18. 76. Memory

    Life is filled with many moments, and it’s impossible to remember all of them. However, certain things in life will always stick with us. Sometimes it’s a small and seemingly insignificant moment, but something about it strikes a chord with us, making it impossible to forget. Often, we remember specific sights and smells. Thomas Bailey Aldrich (1836-1907) was a poet, novelist, traveler, and editor. His book The Story of a Bad Boy (1870) was based on his own childhood, and it impacted other writers. Mark Twain went on to write a similar story, Tom Sawyer, that was published five years later.

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    My mind lets go a thousand things
    Like dates of wars and deaths of kings,
    And yet recalls the very hour--
    'T was noon by yonder village tower,

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