Famous Nature Poems - Page 3

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  1. 41. Dear March - Come In -

    Dear March - Come In - by Emily Dickinson is a welcoming ode to the arrival of the month of March. In this brief yet evocative poem, Dickinson personifies March as a cherished guest, inviting it to enter warmly. Through its simple language and gentle tone, the poem captures the anticipation and hope associated with the transition from winter to spring. Dickinson's imagery evokes the awakening of nature and the promise of new beginnings as March heralds the arrival of warmer weather and the renewal of life.

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    Dear March—Come in—
    How glad I am—
    I hoped for you before—
    Put down your Hat—

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  3. 42. The Mountain

    "The Mountain" by Emily Dickinson depicts the majestic presence of a mountain on the plain. The mountain is a metaphor for a timeless grandfather figure, firmly seated in its eternal chair, and possessing a comprehensive awareness that extends everywhere. The poem further illustrates the mountain's significance by likening it to a revered figure, with the seasons gathering around it like children around a father. The mountain is depicted as a revered ancestor, the originator of each new day's dawn.

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    The mountain sat upon the plain
    In his eternal chair,
    His observation omnifold,
    His inquest everywhere.

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  5. 43. The Seed-Shop

    One of the topics Muriel Stuart (1885-1967) liked to write about was nature. She even stopped writing poetry to pursue writing about gardening. In this poem, she shares about the hidden potential of seeds. In their current state, they look like lifeless stones, but an entire garden and forest rests inside of them when they are planted. The same could be said about people. When we don’t embrace our purpose and contribute to society, we are no better than unplanted seeds. But once we allow our gifts and talents to be used, we create beauty for others to enjoy.

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    HERE in a quiet and dusty room they lie,
    Faded as crumbled stone and shifting sand,
    Forlorn as ashes, shrivelled, scentless, dry -
    Meadows and gardens running through my hand.

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  6. 44. My November Guest

    The landscape of New England influenced many of Robert Frost’s poems, which can be seen in “My November Guest.” In this poem, sorrow is personified as someone the speaker loved. While the speaker sees things one way, Sorrow sees them differently. She sees the beauty in autumn, while the poet cannot. We each see beauty in different things. Even in the midst of sorrow there can be something beautiful. In the midst of autumn, where leaves are dying, there is beauty in their changing colors.

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    My Sorrow, when she's here with me,
    Thinks these dark days of autumn rain
    Are beautiful as days can be;
    She loves the bare, the withered tree;

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  7. 45. God The Artist

    Angela Morgan was an American writer who formed a musical quartet with her three sisters, and her brother was their manager. This was one way she earned a living. In this poem, the narrator reflects on the marvels of God. How did He come up with all the ideas and intricacies we see in nature?

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    God, when you thought of a pine tree,
    How did you think of a star?
    How did you dream of the Milky Way
    To guide us from afar.

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    God The Artist By Angela Morgan

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  8. 46. Winter Woods

    "Winter Woods" by Eleanor Hammond is a vivid poem that paints a powerful image of the winter landscape. Through personification, the poet compares the winter woods to an elderly man, using metaphors to convey its strength and resilience. The description of the wood's "gnarled arms" and "old head" creates a tangible image of nature's endurance against the harshness of winter. The poem captures the essence of nature's tenacity and the beauty of its wintry facade.

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    The winter wood is like a strong old man,
    Grizzled, rugged, and gray,
    With long white locks tattered by many storms.
    He lifts gnarled arms defiant of the blasts,

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  9. 47. Spring Fever

    In "Spring Fever" by Charles A. Heath, the poem captures the joy and anticipation of the arrival of spring. The speaker describes various signs of the season, such as the longing for nature, the return of robins and frogs, and the migration of ducks and geese. The poem also portrays the practical activities associated with spring, like opening windows, cleaning and fixing things, and engaging in outdoor pursuits like fishing. Through lively imagery and a playful tone, the poem conveys the sense of renewal and excitement that comes with the arrival of spring. It celebrates the awakening of nature and the eager anticipation of enjoying the outdoors after the long winter months.

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    • By Charles A. Heath

    When a feller feels a longing
    For the medder in his breast.
    When the robins north are thronging,
    Where they haste to build their nest.

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  10. 48. My Heart's In The Highlands

    "My Heart's in the Highlands" by Robert Burns is a heartfelt expression of the speaker's deep yearning for his native Scotland. Through vivid imagery, Burns paints a picture of the rugged beauty and untamed landscapes of the Scottish Highlands. Despite being physically distant from his homeland, the speaker's heart remains firmly rooted in its soil, symbolizing his enduring connection and sense of belonging. The poem resonates with themes of homesickness and nostalgia, evoking a universal longing for a beloved place. With its emotive language and heartfelt sentiment, "My Heart's in the Highlands" continues to captivate readers with its portrayal of love for the land and the enduring power of home.

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    • By Robert Burns

    Farewell to the Highlands, farewell to the North,
    The birth-place of Valour, the country of Worth;
    Wherever I wander, wherever I rove,
    The hills of the Highlands for ever I love.

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  11. 49. No Songs In Winter

    Everything changes and slows down in winter. The world seems empty, and time moves slowly. For many, it can be a difficult season to get through, but one day, everything will return, and things will be restored.

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    The sky is gray as gray may be,
    There is no bird upon the bough,
    There is no leaf on vine or tree.

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  12. 50. The Tyger

    William Blake became an apprentice to an engraver at a young age, which was an inspiration for many of his poems. The Tyger in this poem is a symbol of creation and the presence of both good and evil in this world. The Tyger is written in Quatrains (4 line stanzas) and follows an AABB rhyme scheme.

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    Tyger! Tyger! burning bright
    In the forests of the night,
    What immortal hand or eye
    Could frame thy fearful symmetry?

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  13. 51. There Will Come Soft Rains (War Time)

    The Sedition Act of 1918 made it a crime to express any dissenting views about the U.S. involvements in World War I. This forced writers like Sara Teasdale to express their opposition to the war in more subtle ways. The poem suggests that even if humans were to be destroyed by war, the earth would continue to exist and even flourish without us. The personification of Spring as being indifferent to the fate of humanity emphasizes that the meaning of our existence is something that we create for ourselves, and that nature is not concerned with us. The poem is a powerful statement against the wasteful nature of war, and a reminder that we must strive to protect the natural world that sustains us.

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    There will come soft rains and the smell of the ground,
    And swallows circling with their shimmering sound;

    And frogs in the pools singing at night,

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  14. 52. Spring

    Henry Gardiner Adams' poem "Spring" bursts onto the scene with a celebration of the season's arrival. Vivid metaphors bring the natural world to life, while playful sounds like "twitter" and "gurgle" paint a sonic picture. The poet's excitement is palpable, urging the reader to join in the joy of spring's awakening.

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    • By Henry Gardiner Adams

    A bursting into greenness;
    A waking as from sleep;
    A twitter and a warble
    That make the pulses leap:

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  15. 53. June In Maine

    "June in Maine" by Hannah Augusta Moore is a vibrant and sensory poem that celebrates the beauty of summer. Through vivid imagery, repetition, personification, and alliteration, the poem conveys the enchanting atmosphere of June in Maine and the irresistible allure of nature's embrace. The poem employs vivid imagery, musical language, and a joyful tone to convey the wonder of June in Maine.

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    • By Hannah Augusta Moore

    Beautiful, beautiful summer!
    Odorous, exquisite June!
    All the sweet roses in blossom,
    All the sweet birdies in tune.

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  16. 54. What The Birds Teach Us

    "What The Birds Teach Us" by J. R. Eastwood highlights the resilience and determination of birds even in the bleakness of November. The poem portrays the birds as persistent creatures, braving the harsh weather and actively searching for sustenance. Their behavior serves as a lesson to humans, emphasizing that no matter how challenging the circumstances may be, as long as there is a will, there is always a way forward.

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    • By J. R. Eastwood

    November now is here,
    With skies of leaden hue,
    And gloomy days and drear,
    And winds that pierce us through.

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  17. 55. October

    Ruby Archer's "October" is a poignant elegy to the passing of summer and the onset of autumn. The poem personifies the month as a melancholic figure, contrasting sharply with the joyous exuberance of the preceding months. Through vivid imagery and a contemplative tone, Archer captures the bittersweet nature of seasonal change.

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    The laughing months have all tripped gaily by,
    With flower entangled hair, lips thrilled with song;
    But lingering behind the merry throng
    Comes one with smile more sad than any sigh,

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  18. 56. A Maple Leaf

    Margaret E. Sangster's "A Maple Leaf" challenges our perception of beauty with a surprising opening line. "So bright in death I used to say," uses a personification technique, giving voice to the leaf. This unexpected viewpoint sets the stage for a poem that explores the beauty found not just in life's vibrancy, but also in the quiet dignity of aging.

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    • By Margaret E. Sangster

    So bright in death I used to say,
    So beautiful through frost and cold!
    A lovelier thing I know to-day,
    The leaf is growing old,

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  19. 57. Memory

    Life is filled with many moments, and it’s impossible to remember all of them. However, certain things in life will always stick with us. Sometimes it’s a small and seemingly insignificant moment, but something about it strikes a chord with us, making it impossible to forget. Often, we remember specific sights and smells. Thomas Bailey Aldrich (1836-1907) was a poet, novelist, traveler, and editor. His book The Story of a Bad Boy (1870) was based on his own childhood, and it impacted other writers. Mark Twain went on to write a similar story, Tom Sawyer, that was published five years later.

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    My mind lets go a thousand things
    Like dates of wars and deaths of kings,
    And yet recalls the very hour--
    'T was noon by yonder village tower,

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  20. 58. The Sandpiper

    "The Sandpiper" by Celia Thaxter (1835-1894) portrays the companionship between the narrator and a sandpiper bird as they navigate a lonely beach. The poem captures the dynamic and ever-changing coastal environment, with vivid descriptions of the waves, wind, and vessels at sea. The sandpiper symbolizes resilience and fearlessness, contrasting the human narrator's anxieties. The bond between the two is portrayed as unyielding and mutually comforting, emphasizing their shared existence as creatures of God.

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    • By Celia Thaxter

    Across the lonely beach we flit,
    One little sandpiper and I,
    And fast I gather, bit by bit,
    The scattered driftwood, bleached and dry.

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  21. 59. The Waterfall

    "The Waterfall" by Jessie B. Rittenhouse explores the paradox of seeking solace in nature's grandeur but finding inner turmoil instead. The poem uses strong auditory imagery, such as the "jubilant wild voice" of the waterfall, to evoke the powerful and overwhelming presence of the natural world. The poet's use of contrast between the external "jubilant" sound and the internal "bound heart" highlights the tension between outward beauty and inner struggles. The personification of the waterfall's voice emphasizes its dominance, while the melancholic tone underscores the speaker's sense of frustration and longing for personal liberation.

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    I went to see a waterfall
    When days were dull of song.
    And to its jubilant wild voice
    I listened deep and long.

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  22. 60. To Little Wave

    "To Little Wave" by Ruby Archer is a whimsical and tender poem that personifies a wave as a curious and playful child. The poet invites the wave closer to shore, offering it wildflowers as gifts. The poem captures a childlike wonder and fascination with the natural world, expressing a gentle affection for the wave. Through simple language and vivid imagery, Archer creates a charming portrait of the relationship between humanity and nature.

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    O little wave, you come from far,
    Over the sky-line yonder.
    Why do you hurry across the bar
    And fight with the wind, I wonder?

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