Famous Nature Poems - Page 3

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  1. 41. To Autumn

    John Keats was a British Romantic Poem who only lived 25 short years, from 1795-1821. "To Autumn" is the final work in a group of poems that is referred to as Keats' 1819 Odes. He was inspired to write this poem after going on a walk on an autumn evening near Winchester. He wrote it on September 19, 1819, and it was published in 1820, a little more than a year before he succumbed to tuberculosis. The poem shows the progression through the autumn season, from fruitfulness, to labor, and ultimately to its decline. It also has a strong sense of imagery and uses personification.

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    Season of mists and mellow fruitfulness,  
    Close bosom-friend of the maturing sun;
    Conspiring with him how to load and bless  
    With fruit the vines that round the thatch-eves run;

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    It's an awesome poem!!
    I really love it!!!

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  3. 42. The Way Through The Woods

    Joseph Rudyard Kipling (1865 - 1936) was an short-story writer, poet, and novelist. In 1907 Kipling was awarded the Nobel Prize for Literature. Among his most famous works are The Jungle Book and the poem "If."

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    THEY shut the road through the woods
    Seventy years ago.
    Weather and rain have undone it again,
    And now you would never know

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    I am a born nature lover. I have always been inspired by its grace and beauty. Currently I'm trying to make my own poem diary containing all my favourite poems, most of which are based on...

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  5. 43. The Tyger

    William Blake became an apprentice to an engraver at a young age, which was an inspiration for many of his poems. The Tyger in this poem is a symbol of creation and the presence of both good and evil in this world. The Tyger is written in Quatrains (4 line stanzas) and follows an AABB rhyme scheme.

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    Tyger! Tyger! burning bright
    In the forests of the night,
    What immortal hand or eye
    Could frame thy fearful symmetry?

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  6. 44. There Will Come Soft Rains (War Time)

    The Sedition Act of 1918 made it a crime to express any dissenting views about the U.S. involvements in World War I. This forced writers like Sara Teasdale to express their opposition to the war in more subtle ways. The poem suggests that even if humans were to be destroyed by war, the earth would continue to exist and even flourish without us. The personification of Spring as being indifferent to the fate of humanity emphasizes that the meaning of our existence is something that we create for ourselves, and that nature is not concerned with us. The poem is a powerful statement against the wasteful nature of war, and a reminder that we must strive to protect the natural world that sustains us.

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    There will come soft rains and the smell of the ground,
    And swallows circling with their shimmering sound;

    And frogs in the pools singing at night,

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  7. 45. Fog

    “Fog” was part of Carl Sandburg’s first poetry collection, Chicago Poems, published in 1916. Sandburg wrote simply and was known to use the “language of the people.” This poem was no different. He used simple imagery, personification and a metaphor to compare fog to the movement of a cat. Sandburg was inspired to write this poem when he saw the fog roll in to the Chicago harbor.

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    The fog comes
    on little cat feet.

    It sits looking

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    My dear neighbor, Nellie, who is in her 80s, asked me, as I am an artist, to paint a picture for her to give to her husband for Christmas. She said he loves the poem "Here Comes the Fog" by...

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  8. 46. Spring

    Henry Gardiner Adams' poem "Spring" bursts onto the scene with a celebration of the season's arrival. Vivid metaphors bring the natural world to life, while playful sounds like "twitter" and "gurgle" paint a sonic picture. The poet's excitement is palpable, urging the reader to join in the joy of spring's awakening.

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    • By Henry Gardiner Adams

    A bursting into greenness;
    A waking as from sleep;
    A twitter and a warble
    That make the pulses leap:

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  9. 47. A Light Exists In Spring

    Emily Dickinson was a famous American poet who lived during the 1800s. In addition to writing, she also studied botany, which could have been an influence in her poems about nature. This poem is about the light that illuminates all that's around it during spring. While this poem is about nature, it has a strong religious undertone, showing there are things science is unable to fully explain.

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    A Light exists in Spring
    Not present on the Year
    At any other period --
    When March is scarcely here

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    The poem depicts supremacy of nature. Nature is beyond natural laws. It's the underlying truth that nature poets communicate to us through their writings.

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  10. 48. A Minor Bird

    When a person is in a depressed mood even the beautiful song of a bird is grating. Of course, after that moment of irritation, one realizes the problem is not with the bird but with you.

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    I have wished a bird would fly away,
    And not sing by my house all day;

    Have clapped my hands at him from the door

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    I laughed at this poem. I have felt the same way at times. I live in the country, and there is nothing more peaceful than listening to God's natural sounds of nature, but it’s just like any...

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  11. 49. June In Maine

    "June in Maine" by Hannah Augusta Moore is a vibrant and sensory poem that celebrates the beauty of summer. Through vivid imagery, repetition, personification, and alliteration, the poem conveys the enchanting atmosphere of June in Maine and the irresistible allure of nature's embrace. The poem employs vivid imagery, musical language, and a joyful tone to convey the wonder of June in Maine.

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    • By Hannah Augusta Moore

    Beautiful, beautiful summer!
    Odorous, exquisite June!
    All the sweet roses in blossom,
    All the sweet birdies in tune.

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  12. 50. What The Birds Teach Us

    "What The Birds Teach Us" by J. R. Eastwood highlights the resilience and determination of birds even in the bleakness of November. The poem portrays the birds as persistent creatures, braving the harsh weather and actively searching for sustenance. Their behavior serves as a lesson to humans, emphasizing that no matter how challenging the circumstances may be, as long as there is a will, there is always a way forward.

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    • By J. R. Eastwood

    November now is here,
    With skies of leaden hue,
    And gloomy days and drear,
    And winds that pierce us through.

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  13. 51. October

    Ruby Archer's "October" is a poignant elegy to the passing of summer and the onset of autumn. The poem personifies the month as a melancholic figure, contrasting sharply with the joyous exuberance of the preceding months. Through vivid imagery and a contemplative tone, Archer captures the bittersweet nature of seasonal change.

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    The laughing months have all tripped gaily by,
    With flower entangled hair, lips thrilled with song;
    But lingering behind the merry throng
    Comes one with smile more sad than any sigh,

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  14. 52. A Maple Leaf

    Margaret E. Sangster's "A Maple Leaf" challenges our perception of beauty with a surprising opening line. "So bright in death I used to say," uses a personification technique, giving voice to the leaf. This unexpected viewpoint sets the stage for a poem that explores the beauty found not just in life's vibrancy, but also in the quiet dignity of aging.

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    • By Margaret E. Sangster

    So bright in death I used to say,
    So beautiful through frost and cold!
    A lovelier thing I know to-day,
    The leaf is growing old,

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  15. 53. A Bird Came Down The Walk

    A poem about birds from Emily Dickinson. Considered by many to be one of the best American Poets. What about this poem makes it a classic?

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    A bird came down the walk:
    He did not know I saw;
    He bit an angle-worm in halves
    And ate the fellow, raw.

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    I take walks daily with my dog to visit and hang out with friends. Fall is the prettiest show-off with her colorful jewels! The birds and squirrels play hide and seek within and keep me...

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  16. 54. Memory

    Life is filled with many moments, and it’s impossible to remember all of them. However, certain things in life will always stick with us. Sometimes it’s a small and seemingly insignificant moment, but something about it strikes a chord with us, making it impossible to forget. Often, we remember specific sights and smells. Thomas Bailey Aldrich (1836-1907) was a poet, novelist, traveler, and editor. His book The Story of a Bad Boy (1870) was based on his own childhood, and it impacted other writers. Mark Twain went on to write a similar story, Tom Sawyer, that was published five years later.

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    My mind lets go a thousand things
    Like dates of wars and deaths of kings,
    And yet recalls the very hour--
    'T was noon by yonder village tower,

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  17. 55. Desert Places

    Robert Frost (1874-1963) spent many years living in New England, and a lot of his poetry was inspired by the landscape around him. In “Desert Places,” he uses the emptiness created by a snowstorm and the darkness of night to compare to depression and emotional turmoil. The loneliness of nature is nothing compared to the loneliness one experiences from their own darkness and isolation. Robert Frost had his own bouts with depression.

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    Snow falling and night falling fast, oh, fast
    In a field I looked into going past,
    And the ground almost covered smooth in snow,
    But a few weeds and stubble showing last.

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    The time was 1958, the school Oak Park River Forest High, in a western suburb west of Chicago. The class was English Literature, and the teacher was Mildred Linden. After Christmas break, we...

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  18. 56. The Sandpiper

    "The Sandpiper" by Celia Thaxter (1835-1894) portrays the companionship between the narrator and a sandpiper bird as they navigate a lonely beach. The poem captures the dynamic and ever-changing coastal environment, with vivid descriptions of the waves, wind, and vessels at sea. The sandpiper symbolizes resilience and fearlessness, contrasting the human narrator's anxieties. The bond between the two is portrayed as unyielding and mutually comforting, emphasizing their shared existence as creatures of God.

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    • By Celia Thaxter

    Across the lonely beach we flit,
    One little sandpiper and I,
    And fast I gather, bit by bit,
    The scattered driftwood, bleached and dry.

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  19. 57. The Waterfall

    "The Waterfall" by Jessie B. Rittenhouse explores the paradox of seeking solace in nature's grandeur but finding inner turmoil instead. The poem uses strong auditory imagery, such as the "jubilant wild voice" of the waterfall, to evoke the powerful and overwhelming presence of the natural world. The poet's use of contrast between the external "jubilant" sound and the internal "bound heart" highlights the tension between outward beauty and inner struggles. The personification of the waterfall's voice emphasizes its dominance, while the melancholic tone underscores the speaker's sense of frustration and longing for personal liberation.

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    I went to see a waterfall
    When days were dull of song.
    And to its jubilant wild voice
    I listened deep and long.

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  20. 58. To Little Wave

    "To Little Wave" by Ruby Archer is a whimsical and tender poem that personifies a wave as a curious and playful child. The poet invites the wave closer to shore, offering it wildflowers as gifts. The poem captures a childlike wonder and fascination with the natural world, expressing a gentle affection for the wave. Through simple language and vivid imagery, Archer creates a charming portrait of the relationship between humanity and nature.

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    O little wave, you come from far,
    Over the sky-line yonder.
    Why do you hurry across the bar
    And fight with the wind, I wonder?

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  21. 59. The End Of The Summer

    Ella Wheeler Wilcox's "The End of the Summer" beautifully portrays the transition from summer to autumn through vivid imagery and personification. The birds celebrate the arrival of cooler weather, while nature's secrets unfold and the landscape transforms with vibrant colors. As the season progresses, the woods lose their glory, and the birds prepare to migrate southward. The poem concludes with a longing for the lively city. Wilcox's use of imagery creates a poignant reflection on the changing seasons and the fleeting beauty of nature.

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    The birds laugh loud and long together
    When Fashion's followers speed away
    At the first cool breath of autumn weather.
    Why, this is the time, cry the birds, to stay!

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  22. 60. Spring

    Edna St. Vincent Millay (1892-1950), was born in Rockland, Maine on February 22. During the 1920's she lived in Greenwich Village, New York City, and wrote for Vanity Fair under the pseudonym Nancy Boyd.

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    To what purpose, April, do you return again?
    Beauty is not enough.
    You can no longer quiet me with the redness
    Of little leaves opening stickily.

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