18 Most Popular Poems by Emily Dickinson

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  • A Narrow Fellow In The Grass

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    When the poem was published in the Springfield Daily Republican (Feb. 14, 1866), it was entitled "The Snake."

    A narrow fellow in the grass
    Occasionally rides;
    You may have met him,--did you not,
    His notice sudden is.

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  • Dear March - Come In -

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    Dear March - Come In - by Emily Dickinson is a welcoming ode to the arrival of the month of March. In this brief yet evocative poem, Dickinson personifies March as a cherished guest, inviting it to enter warmly. Through its simple language and gentle tone, the poem captures the anticipation and hope associated with the transition from winter to spring. Dickinson's imagery evokes the awakening of nature and the promise of new beginnings as March heralds the arrival of warmer weather and the renewal of life.

    Dear March—Come in—
    How glad I am—
    I hoped for you before—
    Put down your Hat—

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  • The Mountain

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    "The Mountain" by Emily Dickinson depicts the majestic presence of a mountain on the plain. The mountain is a metaphor for a timeless grandfather figure, firmly seated in its eternal chair, and possessing a comprehensive awareness that extends everywhere. The poem further illustrates the mountain's significance by likening it to a revered figure, with the seasons gathering around it like children around a father. The mountain is depicted as a revered ancestor, the originator of each new day's dawn.

    The mountain sat upon the plain
    In his eternal chair,
    His observation omnifold,
    His inquest everywhere.

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  • Wild Nights - Wild Nights!

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    in Famous Love Poems

    "Wild Nights - Wild Nights!" by Emily Dickinson is a passionate expression of desire and longing. In this short yet powerful poem, Dickinson uses the imagery of a wild, untamed night to symbolize intense emotions and romantic yearning. The repetition of the phrase "Wild nights" emphasizes the speaker's excitement and fervor. Dickinson employs vivid language and evocative imagery to convey the intensity of the speaker's longing for love and connection. Despite its brevity, the poem captures the overwhelming nature of romantic passion and the sense of exhilaration that comes with it. Through its lyrical beauty and emotional depth, "Wild Nights - Wild Nights!" remains a timeless exploration of the complexities of love and desire.

    Wild nights - Wild nights!
    Were I with thee
    Wild nights should be
    Our luxury!

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  • I'm Nobody! Who Are You?

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    in Famous Funny Poems

    "I'm Nobody! Who are you?" by Emily Dickinson is a playful exploration of anonymity and fame. In this brief but impactful poem, Dickinson celebrates the freedom of being unnoticed and unknown, contrasting it with the burden of public attention. Through witty language and imaginative imagery, she invites readers to consider the value of privacy and the allure of staying hidden in a world that often glorifies fame.

    I'm nobody! Who are you?
    Are you nobody, too?
    Then there 's a pair of us — don't tell!
    They 'd banish us, you know.

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  • I Taste A Liquor Never Brewed

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    in Famous Nature Poems

    Emily Dickinson’s I Taste a Liquor Never Brewed is a joyful poem that celebrates nature, imagination, and the overwhelming happiness the speaker feels when experiencing the beauty of the natural world. Dickinson uses an extended metaphor by comparing her excitement and delight in nature to being intoxicated by alcohol, even though this “liquor” comes from the air, dew, and summer skies rather than something physically brewed. Through vivid imagery such as “inns of molten blue,” bees, butterflies, and foxgloves, the poem creates a lively picture of nature as a place of endless pleasure and wonder. Strong personification appears when bees, butterflies, saints, and angels are given human-like actions, adding playfulness to the poem. The poem’s central message is that the beauty of nature can create a feeling of joy so powerful that it feels more intoxicating and uplifting than any earthly pleasure.

    I taste a liquor never brewed,
    From tankards scooped in pearl;
    Not all the vats upon the Rhine
    Yield such an alcohol!

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  • I Like To See It Lap The Miles

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    Emily Dickinson’s I Like to See It Lap the Miles is a vivid poem that describes a train while exploring themes of technology, power, and movement. Dickinson uses an extended metaphor by comparing the train to a living animal, giving it qualities such as “lapping,” “licking,” “feeding,” and “neighing,” which creates strong personification and makes the machine seem alive. Through rich imagery, the poem shows the train moving across valleys, mountains, roads, and hills, emphasizing its strength and dominance over nature. The use of sound devices such as “hooting stanza” helps readers hear the loud noise of the train, while the contrast between its wild energy and its final obedient stop at the station highlights both its power and control. The poem celebrates the impressive force of modern invention while showing how human technology can command and reshape the natural world.

    I like to see it lap the miles,
    And lick the valleys up,
    And stop to feed itself at tanks;
    And then, prodigious, step

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  • The Morns Are Meeker Than They Were

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    in Famous Nature Poems

    Emily Dickinson’s The Morns Are Meeker Than They Were is a short poem that reflects on the arrival of autumn and the quiet beauty of seasonal change. Dickinson uses vivid imagery such as brown nuts, plump berries, scarlet fields, and colorful maple trees to paint a picture of nature shifting from summer to fall. Through personification, nature is described as if it were dressing itself, with the maple wearing a “gayer scarf” and the field a “scarlet gown,” making the season feel lively and elegant. The speaker’s playful decision to “put a trinket on” creates symbolism, suggesting a desire to join in with nature’s transformation. The poem’s central message is that change is a natural and beautiful part of life, and people should embrace and celebrate the transitions around them.

    The morns are meeker than they were,
    The nuts are getting brown;
    The berry's cheek is plumper,
    The rose is out of town.

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